A Race Of Female Patriots: Women and Public Spirit on the by Brett Wilson PDF

By Brett Wilson

A Race of woman Patriots argues that public-spirited girls proliferated at the eighteenth-century British level to catalyze an affective adventure of political belonging, as dramatists imagined new varieties of association, allegiance, and loyalty appropriate to the recent British structure confirmed bythe excellent Revolution of 1688. Brett D. Wilson examines either staples of the repertory (The reasonable Penitent, Jane Shore) and lesser-known performs (Liberty Asserted, The Revolution of Sweden, Edward and Eleonora) to outline the parameters of a time-honored but under-examined dramatic mode: “civic” dramas that use scenes of political strife and personal misery to level the fashioning of groups round ladies. Onstage, ladies act to profit the public—crucially, Wilson argues, via infusing the commonwealth with sentimental ardor: public spirit. Playwrights like Nicholas Rowe, Catharine Trotter, John Dennis, and James Thomson make the female-centered unions they think into synecdoches for a British country reworked from turmoil to concord. Restoring to view key missed texts that painting girls who believe deeply as brokers of inclusion and icons of civic advantage, A Race of woman Patriots is a persuasive research of tragic drama at a time of significant political switch that yields new perception into the relation among ladies, feeling, and the general public sphere.

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A Race Of Female Patriots: Women and Public Spirit on the British Stage, 1688–1745 (Transits: Literature, Thought & Culture, 1650–1850) by Brett Wilson


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